Newsletter UNIMA Österreich

Liebes Mitglied von UNIMA-Österreich,

von 6.-12. März 2014 findet in Wels das 23. Internationale Figurentheaterfestival statt.

Programm:  www.figurentheater-wels.at

Für UNIMA-Österreich Mitglieder gelten, gegen Vorlage des gültigen Mitgliedsausweises, die ermäßigten Eintrittspreise. Bitte zahle deinen Mitgliedsbeitrag für 2014 auf folgendes Konto ein:

Konto: 20010936870

BLZ: 14200

IBAN: AT601420020010936870

BIC: EASYATW1

lautend auf: UNIMA Zentrum Österreich

Der aktuelle Mitgliedsausweis für 2014 wird nach Bezahlung des Mitgliedsbeitrages zugesandt, oder kann gegen Vorlage des Einzahlungsbeleges im Festivalbüro des Internationalen Welser Figurentheaterfestivals abgeholt werden.

WICHTIG: Der UNIMA-Österreich Mitgliedsausweis ist nur zusammen mit einem Lichtbildausweis gültig.

Wir freuen uns auf deinen Besuch beim Festival in Wels.

Liebe Grüße

Gerti Tröbinger

Schriftführerin UNIMA-Österreich

 

Unima Italia ‚TEATRI DELLA DIVERSITA‘

Nel numero 64/65, dicembre 2013, della rivista ‚TEATRI DELLA DIVERSITA‘, diretta da Vito Minoia, edita come sempre in una splendida versione tipografica, molti significativi interventi sul teatro, fra cui si segnalano LE MARCHE: RI-CERCARE COOPERANDO di vari autori e LA MARIONETTA TRA IL PARLARE E L’ESSERE resoconto di Mariano Dolci del Convegno di MARIONETTE ET THERAPIE svoltosi nel settembre 2013 a Charleville-Mézières in concomitanza con il Festival Mondiale della Marionetta. (A.S.)

https://it-it.facebook.com/pages/Unima-Italia/169652489762548

Internationales Festivalleitertreffen in Bochum / International meeting of puppet theatre festival heads

13. Februar 2014

In Kooperation mit der Festivalkommission der UNIMA lädt das Figurentheater der Nationen – FIDENA zum dritten internationalen Treffen der Festivalleiter aus dem Bereich Puppentheater ein. Die Tagung wird vom 18. bis 20. Mai 2014, parallel zur FIDENA (16. – 24. Mai) in Bochum stattfinden. Thema der Tagung: Cultural Education vs. Artistic Freedom – Internationale Festivals in Zeiten der Krise.

Anmeldungen sind ab sofort möglich unter  symposium@fidena.de

http://www.fidena.de

 

Daily Battles in Shadows and Film

writing without paper

writing without paper

writing without paper

writing without paper

Beatrice Coron's Daily Battles

Beatrice Coron’s Daily Battles

I can watch this beautifuly made film over and over again and never get bored! Daily Battles is a collaboration between two artists, a paper artist and a film maker. Béatrice Coron developed a language of storytelling by papercutting multi-layered stories.

Upon seeing her TED presentation film of 2011, I actually was hoping that the camera would zoom into her silouettes to reveal the tiniest treasures hiden in the detail. Film maker, James Steward, was obviously thinking exactly the same thing.

They met up after the paper artist, Beatrice Coron did a presentation at TED in March 2011. The results are unusual and exciting, showing the incredible potential for collaboration between arts practitioners emerging from two almost diametrically opposed sources.

Their combined work, Daily Battles‘ was premiered at the 2013 TED Conference in Long Beach, California. You can read an interview with Artist Béatrice Coron and Filmmaker James Stewart in two parts;

http://writingwithoutpaper.blogspot.com.au/2013/03/beatrice-corons-daily-battles-part-1.html

http://writingwithoutpaper.blogspot.com.au/2013/03/daily-battles-artistdirector-interview.html

But most importantly, you should view the original inspiring TED Talk of 2011, in which Béatrice first inspired the world:

http://www.ted.com/talks/beatrice_coron_stories_cut_from_paper.html

http://www.puppetrynews.com

Posted by Gary

 

 

Handspring’s A Midsummer Night’s Dream now on!

A Midsummer Night's Dream at Barbican Centre

A Midsummer Night’s Dream at Barbican Centre

For the first time since the triumph of War Horse, Bristol Old Vic’s Artistic Director Tom Morris and Handspring Puppet Company reunite to realise one of Shakespeare’s most popular and fantastical plays ‚A Midsummer Night’s Dream‘ which is now running at the Barbican Theatre until 15 February 2014. If you going to be anywhere in the UK during this period, don’t miss it!     Posted by Gary

http://www.puppetrynews.com

http://www.barbican.org.uk

Quick start for new year of change and more…

Bishop Desmond Tutu with his alter egos Tutu  & Tata on ZA News

Bishop Desmond Tutu with his alter egos Tutu & Tata on ZA News

Quick start for new year of change and more…posted by Gary

Let me tell you about Africa – the dark continent.  Besides entertaining my two little boys, which was a full-time job, I did get to start shooting a documentary film on ‚Puppetry and Politics‘ for the international conference of the same name, which is scheduled to take place 20-22 November in Charleville-Mezieres in France.

Some of the wonderful artists whom I recently interviewed in South Africa, all working in puppetry related to politics in some way were Thierry Casuto, producer of ZA News, Adrian Kohler and Basil Jones from Handspring Puppet Company, Cindy Mkaza, head of UNIMA South Africa, Janni Younge from Handspring, Aja Marneweck, who directs puppetry productions and runs workshops internationally and Conrad Koch, with his ventriloquist puppet Chester. Conrad has his own TV show, where he interviews local politician and sends up the political highs and lows in South Africa.

If anyone is interested in attending the the conference in late-November in France, please do get in touch.

http://www.puppetrynews.com

CANADA/ Arlyn Awards 2014

LogoColourimage001

The Arlyn Award is a world-wide search for „truly outstanding“ design in puppet theatre. It is an international contest and is awarded biennially. The recipient in 2012 was the UK’s Jonathan Storey’s 2010 production Jack Pratchard.

The Arlyn Award for Outstanding Design in Puppet Theatre and the prize endowment fund are administered by the Arlyn Award Society, an independent, charitable-tax status society registered in British Columbia, Canada. The Arlyn Award is for an individual production, not a designer’s body of work.

Every two years the Society’s Board of Directors selects a three-member international jury. Each jury sets their own criteria and their decision is final and cannot be altered by the Board of Directors.

The Arlyn Award Society now calls for entries to the 2014 Arlyn Award for Outstanding Design in Puppet Theatre.

Deadline: 15th February 2014

Eligible productions must have been premiered in 2012 or 2013. Any puppeteer, anywhere in the world, is eligible to enter. The Arlyn Award consists of a trophy and a cash prize, at present, of approximately US$ 1000.

To enter, submit a brief paragraph of the designer’s goal for the production, up to ten illustrations of designs and production photographs, and a five-minute (maximum) video in Flash format showing the production’s design in action. For full terms see:

http://arlynaward.org/entering.htm

Not more than one Arlyn Award may be awarded in a competition. All entries remaining into the final round of judging receive an Arlyn Citation of Design.

Send entry submissions to:

Arlyn Award Society

2012-13 Competition

c/o 4348 Coastview Drive

Garden Bay, BC

V0N 1S1

Canada

All submitted materials will be retained by the Arlyn Award Society in a research collection.

For Information on the Arlyn Award and photos of past recipients, please visit

http://arlynaward.org

 

 

Manip, le journal de la Marionnette n° 37 – January – February – March 2014

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Themaa UNIMA-France is glad to invite you to read the latest issue of its review „Manip, le Journal de la Marionnette“.

Among many other ones, you could find articles like:

Tribute to Alain Recoing

To write for the puppet by Laurent Contamin

Conversation about the Punch with Rod Burnett

Journey in the Balkans, towards a poetic and political commitment by Clément Peretjatko

Focus on the Georgian authors Zourab Kikodzé and Gaga Nakhoutsrichvili

www.unima.org